Ain't That Bright (No vocal, not mastered)

Lucy (No vocal, not mastered)

Jeremy Porter

Meandering, sweeping, contemplative, a lot of space. Good for background music, traveling, landscapes, behind conversations.

Lucy (vocal, mastered)

Jeremy Porter

Meandering, sweeping, contemplative, a lot of space. Good for background music, traveling, landscapes, behind conversationsm closing credits.

Ain't That Bright (vocal/mastered)

Jeremy Porter

Spacious, melancholy, optimistic, mellow. Great for background music, landscapes, traveling, talking, credits.

Slipping Away

A thoughtful song perfect for vast landscapes and the quiet mind.

DARK DREAMS

DARK DREAMS is a haunting, melancholic track at 110 BPM in D minor, blending modern 60s sunshine pop with eerie, cinematic textures. Warm Beatles-style acoustic strumming, dreamy synths, and spooky piano arpeggios create a mysterious, otherworldly atmosphere. Two-part call-and-response vocal harmonies add nostalgic charm, while a whistling/guitar solo in unison and a melodic bass groove reinforce the track’s hypnotic, haunting quality. Lyrically, the song explores unsettling, recurring dreams that cannot be resolved or returned to, evoking tension, reflection, and lingering unease. Its juxtaposition of catchy, bright harmonies with dark, spooky undertones makes it ideal for moments that balance innocence with unease. Ideal for: Film & TV scenes involving dream sequences, mystery, nostalgia, or unresolved tension; psychological or surreal moments; reflective montages; whimsical but slightly eerie storytelling; indie or arthouse projects seeking a haunting yet catchy mood. Mood: creepy, melancholic, mysterious, haunting Energy: mid-tempo, reflective, hypnotic

Make Your Own Sunshine

Fun, sunny song with ironic, playful lyrics. Dominated by acoustic guitars, banjo, and lush vocal harmonies. Might remind you of Caamp. Perfect for wholesome, happy situations and images.

Marigold

Perfect for projects evoking: Warm nostalgia, reflective journeys, poetic resilience, and pastoral elegance. This track is an emotional anchor. It’s perfect for any visual narrative that requires depth, warmth, and a touch of poetic, baroque-tinged soul. Film & TV: Period Dramas & Literary Adaptations – underscore for reflective moments, pastoral scenes, or closing credits in series like All Creatures Great and Small or The Crown (for personal, introspective storylines). Indie Film Montages – scoring sequences of personal growth, quiet realization, or nostalgic recollection. Prestige Streaming Series – as a recurring theme for a sensitive, artistic, or resilient character. Commercials & Brand Campaigns: Heritage & Craftsmanship Brands (fine stationery, artisan tea, woolens, small-batch whisky) – to evoke authenticity, tradition, and thoughtful creation. Wellness & Mindfulness Apps/Retreats – providing a sonic backdrop of calm, introspection, and gentle uplift. Charitable & Non-Profit Organizations – accompanying narratives of hope, quiet endurance, and community support. Automotive (Luxury/Estate Vehicles) – for ads focusing on a contemplative, scenic journey through the countryside, not on speed. Corporate & Media: Documentaries – ideal for segments on artists, writers, environmental conservation, or personal history with an emotional core. Podcast Themes & Bumpers – for shows focused on literature, mental health, spirituality, or the creative process. Art Gallery/Museum Installations – creating an atmospheric, reflective soundscape for exhibits of pastoral art, photography, or sculpture.

Death Has

Death Has is a bilingual english/zulu track, which combines Dawn Melanie's signature dark Celtic/nordic folk style storytelling with an Afrobeat sound. Death Has tells the tale of the personifications of Death and Fate and the mythological references, from across cultures, to the things they have and how they impact our journey. Written at a time when our fear of Death brought the world to a stand still, it is a song that asks us to choose to move forward and live life, rather than fear the unknowns of death and fate- seeing them rather as inevitable guides to the journey after. "it's fab! It's so hypnotic. I love it when music goes round and round like a horizontal helter skelter that never ends. Ahh Death Has, the track Stranger Things didn't get..." Marion Boyd,Stirling Community Radio This track would be great as part of the sound track to fantasy, sci-fi, mythology films, documentaries, series and games, as well as being quite well suited to life insurance adverts and funeral cover adverts.

Western Acoustic Guitar Highlights for Cinematic Frontier Scenes

A curated selection of the most expressive moments from an acoustic western guitar theme. These highlights capture the essence of frontier storytelling with warm tones, reflective melodies, and a cinematic western atmosphere. Ideal for trailers, transitions, intros, outros, and impactful storytelling cues.